Rear Window. It’s one
of Alfred Hitchcock’s most famous films.
For those who don’t know, it’s a story of a man confined to his room
with a broken leg. He’s a photographer
and to pass the time, he begins using his camera to follow the lives of his
neighbors. Pretty soon, he becomes
convinced that one is a murderer. The
movie is masterful at ramping up tension, especially with our protagonist
trapped in his room.
What many people don’t know is that the plot is actually
inspired by a London case from 1924. It
started with a police stop at a train station.
The suspect was Patrick Mahon and police pulled him aside to question
him because of his suitcase. Once
opened, it contained a knife and bloody clothing. Mahon tried to pass it off as having come from
scraps for his dogs but when they pressed him, he cracked.
It turns out that he’d killed a woman named
Emily Kaye. In order to cover his
tracks, he’d dismembered the body and would take pieces of it with him to the
train station. Then as the train made
its way to the next stop, he would discard them along the way,
ensuring that there would never be enough of one thing to identify her if they
were ever found.
Hitchcock became fascinated by the thought of carrying out
body parts clandestinely. It was only a
few creative jumps before he’d combined that idea with the thought
of a helpless protagonist and Rear Window was born.
If you’d never seen it, what the hell is wrong with
you? You should be watching it now
instead of reading this blog.
If you have seen it and want to do a deep dive into Hitchcock, I suggest you check out two excellent books by two good friends of mine. Eric San Juan and Jim McDevitt have been a huge inspiration in my own writing career and together, they immersed themselves in Hitchcock films to produce A Year of Hitchcock: 52 Weeks with the Master of Suspense and Hitchcock’s Villains: Murderers, Maniacs and Mother Issues. You should definitely check both of those out.
If you have seen it and want to do a deep dive into Hitchcock, I suggest you check out two excellent books by two good friends of mine. Eric San Juan and Jim McDevitt have been a huge inspiration in my own writing career and together, they immersed themselves in Hitchcock films to produce A Year of Hitchcock: 52 Weeks with the Master of Suspense and Hitchcock’s Villains: Murderers, Maniacs and Mother Issues. You should definitely check both of those out.
See you next week!
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